| Home | Register | FAQ | Members List | Search | Today's Posts | Mark Forums Read |
|
|
#1 (permalink) |
|
389 ppm and rising
Join Date: Aug 2005
Location: Järvenpää, Finland
Posts: 5,475
|
Do you recognise these typefaces?
I've been surprised a few times by requests for help in identifying fairly common fonts. I made a little list of about twenty typefaces which I think it would be good for a designer to learn to recognize, if only to make life easier. Of course, becoming familiar with all the variants of each typeface (condensed, italic etc) helps too. Here are my "essentials" in no particular order. Futura, Univers, Helvetica, Arial (yes, you have to learn the difference!), Gill Sans, Palatino, Garamond, Eras, Kabel, Avant Garde, Rockwell, DIN, Frutiger, Times, Eurostile/Microgamma, Optima, Rotis, Olive, Bodoni, Peignot |
|
|
|
|
|
#3 (permalink) |
|
389 ppm and rising
Join Date: Aug 2005
Location: Järvenpää, Finland
Posts: 5,475
|
Yah! It's not a competition though, is it, when you have to match a bit of type in a logo or summat and have to waste another half hour going through two thousand misnamed fonts in Corel's handbook or through ancient Letraset catalogues! I wasn't trying to make some kind of snide remark either, John - simply saying that putting names to the faces of familiar friends is a timesaver. I've always been the guy who people come to to ask about identifying fonts at my workplaces and apart from being happy to help, I got a bit of professional respect too. But I had entire words or sentences to work with, not enlarged fragments of one glyph like on the site you posted! |
|
|
|
#4 (permalink) |
|
+
Join Date: May 2005
Location: Tropical Networks
Posts: 1,605
|
then maybe you could sharpen your skills at the beginner level ? Fonts are like cologne: A bad choice speaks louder than a good one. Justin Feinstein
|
|
|
|
#6 (permalink) |
|
389 ppm and rising
Join Date: Aug 2005
Location: Järvenpää, Finland
Posts: 5,475
|
John - they seem to be having a competition to see who else knows utterly irrelevant and obscure typefaces. And that's exactly NOT what I'm trying to get at. If it helps, I regularly score 8/10 of the Arial vs. Helvetica test. arial or helvetica? | a quiz from iliveonyourvisits.com Mr Kurm - those script fonts are cuntish too. Palace and Wedding are two which get lots of use in Finland in women's magazines. I suppose they think it looks romantic or feminine instead of weak and unimaginative! |
|
|
|
#8 (permalink) |
|
389 ppm and rising
Join Date: Aug 2005
Location: Järvenpää, Finland
Posts: 5,475
|
Was your last weekend's poem in Exmouth? Whatever - someone said they couldn't read it. I also find script unpleasant to read, at the borderline of legibility. I remember my very first typographical argument in about 1968 with an elderly relative when I said that the print on our table placemats was almost impossible to read. He launched into a diatribe about how handwriting had deteriorated over the years (this was in England) and that Palace script represented the highest ideal of handwriting. Of course, he was being faithful to what he'd had to learn as a child in about 1910. I said it was difficult to read anyway. What a precocious child. It's still almost illegible and should be used only on wedding invitations! |
|
|
|
#11 (permalink) |
|
bloody peasant
Join Date: Dec 2006
Location: Tallinn, Estonia
Posts: 2,697
|
I am planning to get shit drunk this evening and staying like that to Monday - fucking around with letterpress six hours a day for a week has taken its toll. Most of the fucking typefaces havent been digitized and some letters are missing etc. |
|
![]() |