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#1 (permalink) |
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Registered User
Join Date: Mar 2007
Posts: 6
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kerning gill sans (monotype cut)
does anyone find gill a pain to kern? i use quark xpress and body copy set in gill can look terrible with h&js that work great with most other faces. there seem to be lots of problems with various letter combinations and don't even get me started on space after full stops. i've started created my own kerning table for it but still not happy with the results yet. i'd love to see anybody elses attempts. |
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#3 (permalink) |
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Senior Member
Join Date: Feb 2007
Location: Stoke on Trent
Posts: 504
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I just think it's bad messing around with kerning, things starts getting messy. Centro's example is great but that is if you don't mind widowing. At uni they told me never to messing with kernings and widowing is a no no. |
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#9 (permalink) |
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389 ppm and rising
Join Date: Aug 2005
Location: Järvenpää, Finland
Posts: 5,475
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Is Monotype's version of Gill really so fucked that even body type needs kerning? I can understand maybe adjusting large headlines, but any tiny irregularities (and they SHOULD be tiny) should not be noticeable at small point sizes. |
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#11 (permalink) |
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Join Date: May 2005
Location: Tropical Networks
Posts: 1,605
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Did you buy your Gill ? I mean, is it the official one ? it's one of the most beautiful fonts ever. Please, don't knock at it before I sleep, it could give me nightmares. Fonts are like cologne: A bad choice speaks louder than a good one. Justin Feinstein
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#14 (permalink) | |
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Registered User
Join Date: Mar 2007
Posts: 6
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Quote:
yeah, my copy is kosher. actually i think a couple of the monotypes cuts i bought back in the mid 90's are problematic. maybe they were going through a bad patch or something? garamond in particular is terrible on some letter combinations. in the end i deleted it and bought a different make. i agree with you on gill sans letterforms - sublime. and caps look stunning with wide spacing (not all sans fonts can claim that) but as a body copy font i think it's pretty quirky and a tricky one to use well. to my eyes it's a font with a lot of 'space' and maybe this causes the problems - tighten it too much and it looks jumbled, space it too far and you end up looking through the text at the paper. it's probably the only font where clients have commented on the spacing (mostly the space between sentences) on early proofs whilst we're still tweaking kerning for their text - it's all down to the kerning settings that came as standard with the font. usually clients don't notice stuff like that unless you've made a complete pigs ear of it. maybe we had, heh heh. anyway, i think we're ordering a linotype collection which will include gill so i'll ditch the monotype cut (as much as it pains me cos gill created it for them) and see if the linotype cut is a bit kinder. thanks for the discussion guys |
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