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#8 (permalink) | |
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bloody peasant
Join Date: Dec 2006
Location: Tallinn, Estonia
Posts: 2,697
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Quote:
Roam around in the upper toolbar, you´ll find the kerning settings there (default is metrics, setting it to optical DOES improve things a lot, kerning headlines in big point sizes does still requires using hair etc spaces). Of course try looking at Type - Glyphs too and from the little triangle in the upper toolbar there is a Opentype submenu, check it out. |
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#10 (permalink) | |
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+
Join Date: May 2005
Location: Tropical Networks
Posts: 1,605
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Quote:
null even a font with a natural good kerning must be retreated. a good kerning is not something you buy, it's something you have to work on. And it has to be made on purpose. Fonts are like cologne: A bad choice speaks louder than a good one. Justin Feinstein
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#11 (permalink) |
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389 ppm and rising
Join Date: Aug 2005
Location: Järvenpää, Finland
Posts: 5,475
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And it's something you don't learn in three weeks as part of a graphics course. It's something you learn either by setting metal type by hand over years or with a very trained eye in an excellent typesetting application on a platform which allows it. Which means that you under 40s using InDesign on a PC, not knowing anything else, may be missing out on something. |
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#13 (permalink) |
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389 ppm and rising
Join Date: Aug 2005
Location: Järvenpää, Finland
Posts: 5,475
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It's excellent fun and there's nothing quite as fascinating as seeing on paper the results of your own manual typesetting, although I guess people who did it for a living grew jaded. (Do you never sleep?) |
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